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He was like ‘oh, it’s an instrumental’ and we were like ‘it is not an instrumental – you need to finish it because it’s a story that needs to be told. It was a song that me, Pete and Bill really loved and had musically finished right up to the last day of recording and mixing in Seattle, and we’d been leaning on Michael very heavily for some time trying to finish it. “He had a lot of musical ideas, then he and Peter fleshed the rest of it out musically. “Bill Berry is still a very a good songwriter,” Mills told NME.
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To celebrate, we sat down with bassist Mike Mills to discuss how a demo called ‘C To D Slide’ nearly remained as an instrumental – until the inspiration of Andy Kauffman, conspiracy theories, and a cowboy hat in the desert saw an indie classic take on a life of its own.
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This month saw the release of the 25th anniversary edition of the art-rock veterans’ classic 1992 record ‘Automatic For The People’ – and today (November 21) marks a quarter of a century since the second single from the record was released. C D9 Moses went walking with a staff of wood C Yeah, yeah, yeah, yeah C D9 Newton got beaned by the apple good C Yeah, yeah, yeah, yeah C D9 Egypt was. Buy the 25th anniversary edition of ‘Automatic For The People’ here C D Hey baby, are we losing touch G Am C If you believed Bm G Am D They put a man on the moon, man on the moon G Am C If you believe Bm Am There's nothing up my sleeve, then nothing is cool.Watch our ‘Song Stories’ interview with bassist Mike Mills above. Everything's in place.To mark 25 years of their classic single ‘Man On The Moon’, REM have spoken to us about the inspiration behind the track. I'm solid with my mom, I'm solid with my sister. “The whole flow of my life is like so in tune with like everything that I want it to be,” Cudi says. For Man on the Moon III, he’s just as in touch with his feelings as he was on II-along with the rest of a dependably vulnerable catalog-it’s just that now those feelings are a bit more positive. Rager, even when that meant looking at himself in the mirror after the partying was done, as reflected in Man on the Moon II’s latter half.
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Ten years ago, Kid Cudi was sidestepping being pigeonholed as an “emo rapper,” leaning even harder into his alias Mr. It sounds like you pick right back up where we left off 10 years ago.'” After two or three songs, I was like, 'Whoa, this shit really feels like a Man on the Moon. “I was already in a really good place working on Entergalactic, going crazy on ‘THE SCOTTS’-but then I was making something else that didn't fit those two projects. Rager (with four solo and two collaborative albums in between), finds him in a sort of post-discovery nirvana, coming clean about his mental-health journey (“Mr Solo Dolo III”), his relationship with his mother (“Elsie’s Baby Boy ”), and the power of his celebrity (“4 Da Kidz”). Man on the Moon III: The Chosen, which returns to a naming convention Cudi hadn’t utilized since 2010’s Man on the Moon II: The Legend of Mr. ” The issues Cudi mentions have been emerging for him since his beginnings as the “lonely stoner,” a New York City-via-Cleveland cool kid who assured a generation of rappers to follow him that it was plenty OK to acknowledge your own inexplicable melancholy. I guess being depressed is an issue.' I'm just making music, I'm just doing what feels right, but this shit is coming out and it's things that I probably didn't pinpoint. “I didn't realize that my father's death really had an impact on me in the way that it did until I started writing about it: 'Oh, I guess being alone is an issue for me. “Every time I make a record, I'm learning something new about myself,” Kid Cudi tells Apple Music.